. 'Released: 23 February 2012 (US)Lindsey Stirling is the debut studio album by violinist and artist, whose popularity grew from her appearance on and a large following on. Her first album of original compositions, it topped the category of Classical Albums and Dance/Electronic Albums in and reached number 79 on the. It also was a success in Europe, earning gold certifications in Poland and Switzerland and platinum certifications in Austria and Germany.On October 29, 2013 the album was re-released worldwide with bonus tracks and achieved its highest-selling week in the United States, reaching number 23 on the Billboard 200 by selling 10,000 copies. Stirling's single ' was certified gold by the.
As of May 2014, Lindsey Stirling has sold 327,000 copies in the United States. Contents.Background and release The album was recorded over the two years after Lindsey Stirling's appearance on and was released in 2012. Although Stirling is largely known for her covers, the album is composed almost entirely of her original compositions, featuring Stirling playing violin and backing electronic music on each track created by Stirling and her producers. The album reached number seventy-nine on the, while topping the and Classical Albums charts in the US.
It also charted within the top five in Germany, Austria and Switzerland. By April 2013, it had sold 108,000 copies. On October 29, 2013 the album was re-released in the US with 2 bonus tracks, as a Deluxe Edition. The Deluxe Edition with bonus tracks had 3 more exclusive bonus tracks at and Target retail locations in the US. On February 26, Stirling's album was released in France where it entered in number 17 by selling 4,900 copies.Stirling's album won platinum certification in Germany and Austria as well as golden certification in Poland and Switzerland.
Free online storage and sharing with Screencast.com. 2 GB of storage and 2 GB of bandwidth per month for free. We won't compress, alter or take ownership of your content. View credits, reviews, tracks and shop for the 2016 CD release of Brave Enough on Discogs. Label: Universal Music Group - 172 6,We Love Music (3) - 172 6,Vertigo - 172 6. Format: CD Album. Country: Europe. Genre: Pop, Classical. Lindsey Stirling: Brave Enough (CD, Album) Not On Label (Lindsey.
On February 4Stirling won her first RIIA golden certification for her single 'Crystallize'.Stirling has attributed the success of her album to its multitude of original tracks, rather than covers. Reception Professional ratingsReview scoresSourceRatingPolarifavorable's James Christopher Monger wrote that the album 'carves out a unique new niche in the classical crossover genre,' and called the lead single, 'Crystallize', 'engaging.'
Accolades The album was nominated for Best Electronic/Dance Album for the Billboard Music Awards.Track listing No.TitleLength1.' Electric Daisy Violin'3:152.' Zi-Zi's Journey'3:163.'
Song of the Caged Bird'3:055.' Moon Trance'3:556.' Minimal Beat'3:357.' Spontaneous Me'3:2911.'
Anti Gravity'3:5612.' Stars Align'4:47Total length:45:11Tracks 4, 7, and 10 previously appeared on Stirling's 2010 EP, Lindsey Stomp. Tracks 1, 3, and 9 had been released as standalone digital singles in 2011, 2012, and 2012, respectively.Re-release On October 29, 2013, Lindsey Stirling's self-titled studio album was re-released in the US, almost a year after its first official release.
The second version of the album consisted mainly of the original setlist, in addition to bonus tracks. The album had some special added bonus tracks if it had been pre-ordered or bought at Target.com or Target retail locations in the US.On November 8, 2013 announced that Stirling's studio album had its best sales week ever; by selling 10,000 copies of the extended version of the album; it re-peaked at number 23, passing its previous peak of 79.
By May 2014, the album had sold 327,000 copies in total in the United States. Target bonus tracks No.TitleLength13.'
Crystallize.' (orchestral version)4:3514.' Transcendence' (orchestral version)4:2215.' Elements' (orchestral version)4:0816.' Crystallize Mashup' (Remix by Wild Children)4:4717.' .' 4:11Total length:1:06:34Widespread bonus tracks No.TitleLength13.'
Elements' (orchestral version)4:0814.' Crystallize Mashup' (Remix by Wild Children)4:47Total length:54:08Tracks 4, 7, and 10 previously appeared on Stirling's 2010 EP, Lindsey Stomp. Tracks 1, 3, and 9 had been released as standalone digital singles in 2011, 2012, and 2012, respectively.Songs with. are exclusive at Target.com and Target retail locations in the US.Personnel Credits for Lindsey Stirling adapted from liner notes. Lindsey Stirling – violin, vocals, executive producer. AFSHeeN – producer (2). Creative Regime – album art.
FIXYN – producer (5). Marko G – producer (1, 3, 4, 6–11). – photography. Scott Jarvie – photography. Poet Name Life – producer (12). Chebacca – producer (12)Charts.
Musikindustrie, Bundesverband. Www.musikindustrie.de. ^. ^ Caulfield, Keith (May 7, 2014).
Prometheus Global Media. Retrieved May 7, 2014. ^ Spelling, Ian (May 9, 2013). Bergen County, NJ. Archived from on November 5, 2013. Retrieved October 19, 2013. (subscription required).
![Album Album](/uploads/1/2/4/3/124329656/673607538.jpg)
^. Archived from on November 28, 2015. Retrieved March 19, 2013. ^.
![Download Download](/uploads/1/2/4/3/124329656/767632273.jpg)
Prometheus Global Media. Retrieved March 19, 2013.
^. Prometheus Global Media. Archived from on November 28, 2015. Retrieved March 19, 2013. ^ (in German).
Retrieved March 19, 2013. ^ (in German). Retrieved March 19, 2013. ^. Retrieved June 25, 2013. Hampp, Andrew (April 22, 2013). Retrieved October 19, 2013.
Lindsey Stirling. Retrieved 7 December 2013. Www.chartsinfrance.net. Bastard, Little (2012-10-18). Polari Magazine.
Retrieved 2013-10-19. ^ James Christopher Monger. Retrieved 2013-10-19.
Lindsey Stirling (CD liner notes). BridgeTone Records. CS1 maint: others. Archived from on September 27, 2013. Retrieved October 11, 2013. (in Dutch). Retrieved March 19, 2013.
(in French). Retrieved March 19, 2013. October 14, 2013.
Retrieved October 11, 2013. Prometheus Global Media. Archived from on November 28, 2015. Retrieved March 19, 2013. Prometheus Global Media. Retrieved March 19, 2013.
(in German). Retrieved December 28, 2013. Archived from on January 25, 2014.
Retrieved January 2, 2014. Prometheus Global Media.
Retrieved December 16, 2013. Prometheus Global Media. Retrieved January 2, 2014. Prometheus Global Media. Retrieved December 20, 2013.
Prometheus Global Media. Retrieved December 20, 2013. Retrieved December 23, 2013. Prometheus Global Media. Retrieved December 9, 2014. Prometheus Global Media. Retrieved December 9, 2014.
Prometheus Global Media. Retrieved December 9, 2014. Prometheus Global Media. Retrieved December 14, 2014. Prometheus Global Media. Retrieved December 14, 2014. (in German).
Retrieved 2013-07-15. (in German). Retrieved 2013-07-15. (in Polish).
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's third album, is where her crossover sound falls nicely into place. Her first two efforts - thrilling collisions of violin acrobatics and electronic embellishment - were novel, but there was something missing to that new age dubstep. On, taps into a deep well of pain - inspired by her own emotional maturity and the death of her best friend and keyboardist, in November 2015 - and the result is an organic interplay between her instrument and digital beats that focuses more on pleasant rhythms than dubstep muscle.
Each song is a step through the processing of pain, an emotional roller coaster that finds on a journey to face the darkness and find a way to carry on. The ethereal 'Lost Girls' cleanses 's confusion with a Celtic raver. From there, a handful of guests assist in conveying 's thoughts. Adds her effective sentimentality to the title track, mirroring 's soul with lines like 'There's some things I should have said/I was too afraid/It was just so hard to let you know/Now it's all too late.' From there, enters 'The Arena' to get dirty with her demons, before rising from the ashes on the explosive 'The Phoenix,' which is what one might imagine if hired a classical violinist.
/ vocalist conveys 's faith and trust in God on 'Where Do We Go,' while country duo step out of their boots for a shimmering dose of nostalgia on 'Those Days.' Blues-rocker adds gritty soul to the empowering 'Hold My Heart' and carries the torch even further with the adventurous 'Something Wild.' 's and Christian rapper appear on 'Don't Let This Feeling Fade,' but their star power never overshadows. On an album without a skippable track, the standouts are big moments like the tropical-trap jam 'Prism' and the propulsive glory of the unique 'Mirage' with Indian-American femcee.
Over 13 tracks of rousing violin stompers, continuously proves that she can party just as well as she can stir the soul. However, on the closing number, releases a wallop of sentiment.
'Gavi's Song' is somber and mournful, a sweeping piano-violin gem that she began writing with the late, later finishing it on her own. It's a quietly devastating heartbreaker that manages to lift the spirit with a tiny sparkle of hope. It ends with a faint recording of a demo session with, his voice the final sound on the album. It's a fitting tribute on an album infused with his spirit. That heart is central to what makes so successful: it's not just about cool crossover sounds anymore, it's about hitting that emotional target.
And company pull it off quite nicely and ends up being one of her most listenable, enjoyable, and emotionally satisfying efforts.